tag:blogger.com,1999:blog-15466659637557191512024-03-13T07:56:58.622-04:00Professional Wrestling in U.S. Popular CultureThis is the official blog of the WKU Honors Colloquium on Professional Wrestling in U.S. Popular Culture. Previously, this blog was used for the MIT Comparative Media Studies Course: Topics in Comparative Media: U.S. Pro Wrestling.Sam Fordhttp://www.blogger.com/profile/17233749268141980625noreply@blogger.comBlogger362125tag:blogger.com,1999:blog-1546665963755719151.post-63134156994925167902014-12-13T01:25:00.001-04:002014-12-13T01:27:32.117-04:00My Final Blog Post... and Our Class ProjectIt is finished.<br />
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This has really been a challenging and fun semester, and I am so glad that I got to share it with you all. Katie and Mikey, I'm sure that you are excited about tomorrow and looking forward to what the future may hold, but it's hard to accept that I won't get to see you two around campus any more! I am glad nonetheless that I was able to get to know you for the short time that we had together. Marshall, Gary, and Sam, I hope that we can stay in touch when we're not forced to see each other thrice a week. Dr. Rich... it's not time for goodbyes yet, I'll see you in the spring. You all are welcome to our apartment any Monday night for dinner and wrestling (that includes Katie and Mikey-- and Atticus, too-- if you're around). I hate to be all sappy and emotional, but that's not going to change anytime soon.</div>
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Without further ado, I now present to you the final project of the Professional Wrestling in U.S. Pop Culture class of 2014 (or a link to it, anyways): <a href="http://melissasmith034.wix.com/wrestlingproject">http://melissasmith034.wix.com/wrestlingproject</a></div>
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Merry Christmas, friends, and Have a Nice Day!</div>
Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com4tag:blogger.com,1999:blog-1546665963755719151.post-90875419866998293342014-12-03T19:26:00.001-04:002014-12-09T01:59:05.738-04:00VideosHigher Power Revelation<br />
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Besides being an iconically hilarious moment in wrestling for me personally, the Ministry of Darkness and Higher Power storyline is an interesting example of the shattering of the ideal nuclear family that Sammond discusses within the WWF and some of the most outlandish writing in any storyline ever. The Monday Night Wars saw some interesting content, but the Undertakers gang of Satanic revolutionaries takes the cake for me. With the revelation that Vince McMahon was the much-anticipated Higher Power in control of the Undertaker and the Ministry of Darkness, a many-months-long storyline was rendered nonsensical. Vince's reasoning was that he wanted to demonstrate to Stone Cold Steve Austin that he would stop at nothing to piss Steve off. This apparently includes ordering the Undertaker to "kill" his bodyguard the Big Boss Man, kidnap Stephanie two times (the 2nd time theoretically with the knowledge that Steve would step in to save Stephanie before she was married to the Undertaker so he could take over the WWF), and ruin Vince's relationship with his wife, Stephanie, and Shane, the latter making it very unclear whether he actually was in on the schemings or not. This storyline is a classic demonstration of the spectacle of excess (to riff off Barthes) that characterized the Monday Night Wars: rampant Satanic references, the eschewing of family values, and shocking violence and melodrama all coming to a completely nonsensical crescendo. To me, it is the most "wrestling" moment in all of wrestling.<br />
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https://www.youtube.com/watch?v=PQfzp9qCing<br />
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Edge, Lita, and Jeff Hardy<br />
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This is an example of the line between reality and kayfabe getting blurred perhaps a little too far from 2006. The clip is really not as important as the storyline, but I had trouble finding a clip more illustrative of the storyline. Lita joined the Hardys in the early 2000s to form Team Xtreme, and dated Matt Hardy off screen. After Lita got involved with Edge, she and Matt split. This was then incorporated into the storyline while it was happening, leading to Lita becoming Edges handler. Upon Jeff Hardy's return to the WWF after a vacation relating to the drama that was unfolding in real life, he has to wrestle Edge and incorporate all this real-life unpleasantness into a performance alongside a person with whom he was probably not at all pleased. This is reminiscent of the storyline with Goldust in which he was divorcing his wife both in real life and on television. Mick Foley talks about having a kernel of truth incorporated into ones angle to make the acting easier and the storylines more believable, but at this time there seems to be more emphasis on realism and less accounting for the emotional cost on the wrestlers. This is probably in large part due to the internet and dirt sheets allowing fans to be way too knowledgable of the wrestlers private lives. The technological revolution gave the public unprecedented access to information and ultra-realism is a reaction to that.<br />
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https://www.youtube.com/watch?v=2tnSiY_y0Y4<br />
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Edge's Inappropriate Pin<br />
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This is a more straightforward presentation, and the length of the video reflects that. In 2006, the ECW was briefly revived for a series of matches, including this six-man tag with Edge, Mick Foley, and Lita versus Tommy Dreamer, Terry Funk, and Beulah McGillicutty. Edge decided to cover Beulah in an explicitly sexual fashion, while she is apparently unconscious. While this may have been planned as part of the ode to the old days of ECWs rampant inappropriateness, it really underlines some of the issues that we have looked at in terms of treatment of women, particularly invoking for me that part of <i>Wrestling with Manhood</i> where they look at the storyline with Vince and Trish Stratus and question the audiences approval of the spectacle. Here I think there is less of a justification for the act, because there is no eventual storyline payoff, just Edge apparently taking advantage of an unconscious opponent to mime a sex act. In <i>Wrestling with Manhood </i>it is asserted that the fans took pleasure in watching Trish be subjugated by Vince; here we see hard evidence of fans taking pleasure in questionable material without evidence of self-awareness. The title of the YouTube clip is "Wrestling Best Pin Ever." When I first saw this match it really disturbed me, not only because it was the first time I really had to confront the treatment of women in wrestling, but because of the (to me) unjustifiable nature of it. To this day it stands in my mind as the most egregious instance of misogyny I have seen in wrestling, which is a little ironic given my admiration for Edge as a wrestler.<br />
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https://www.youtube.com/watch?v=oXBUM2ADplEAnonymoushttp://www.blogger.com/profile/11201061972050852563noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-5006239280720044632014-12-03T19:15:00.001-04:002014-12-03T19:15:03.924-04:00Video 3 from MarshallThe next story line that I am covering is one that includes Vince McMahon. In this video he kisses Trish Stratus in front of his wife, Linda. Vince throws it right into Linda's face to humiliate her. The aggression that Vince shows toward the "affair" is a bit much. This video shines light on affairs and cheating in an odd way. It almost acts like it's okay for a husband to humiliate and cheat on his wife because he's the one in control and has the power. Vince shows this power by bringing Linda on stage and kissing Trish. The announcers call it sickening and uncomfortable, but you can tell that the crowd is crudely enjoying it. The whole scene bothers me because cheating can tear apart families and ruin lives. <br />
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<a href="https://www.youtube.com/watch?v=5lCqkcKLHZY">https://www.youtube.com/watch?v=5lCqkcKLHZY</a>Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-1060173562865389442014-12-03T19:12:00.003-04:002014-12-03T19:12:45.114-04:00For Viewing Lab<div class="MsoNormal" style="background: white; margin-bottom: 0.0001pt;">
<span style="color: #333333; font-size: 12.0pt; mso-ascii-font-family: "Times New Roman"; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Wrestling is a theatrical
production, combining violence & dialogues, sweat & spandex, and real
blood & fake tears. “The emotional response which professional
wrestlers seek to invoke in their audience… is significantly different from
that experienced by other sports fans who want to see their favorite athlete or
team win a contest” (Craven & Moseley, <i>Actors on the Canvas Stage</i>, 332). The “contest” wrestling
fans come to see is just the manifestation of the drama swirling below the
surface that erupted into that moment in the ring. When Shield member
Seth Rollins turned on teammates Dean Ambrose and Roman Reigns in June 2014,
the resulting feud between Rollins and Ambrose was more engaging because of the
backstory of betrayal. It was not simply
two men’s physical strengths that were pitted against each other, but “the
eternal conflict of good versus evil personified in the physical struggle for
dominance.” Ambrose wanted revenge, something he might not be able to get
in the real world. The fans come to watch the drama, “the Portrayal of
Life;” the actual wrestling is just the means. A standalone Rollins-Ambrose match would not
be uninteresting in itself, but the larger context of the drama makes every
move more significant.</span><br />
<span style="color: #333333; font-size: 12.0pt; mso-ascii-font-family: "Times New Roman"; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"><a href="https://www.youtube.com/watch?v=RAe6uELpK8g">https://www.youtube.com/watch?v=RAe6uELpK8g</a></span><br />
<span style="color: #333333; font-size: 12.0pt; mso-ascii-font-family: "Times New Roman"; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"><br /></span></div>
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<span style="color: #333333; font-size: 12.0pt; mso-ascii-font-family: "Times New Roman"; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Seeing wrestling as an
entertainment business is easy: there are drama-heavy storylines and
larger-than-life characters that are the physical manifestations of some form
of good and evil. We all know that
wrestling is not a show of physical prowess, with wrestlers fighting with all
they have for glory and a big belt, yet we still get upset when a match doesn’t
look “real” enough, whether that be because of no-selling or overselling a
move. If we know that wrestling is “fake,”
why are we offended when it looks that way?
These next clips exhibit three cases of move selling: the no sell, the
over sell, and the perfect sell. As
Triple H goes for the Pedigree, his finishing move, the commentators know that
the end is near for the Ultimate Warrior.
Luckily, the Ultimate Warrior wore a mask of steel instead of paint for
this match, apparently, and is able to rebound from a Pedigree like a champ. Triple H returns in the next clip against
Randy Orton, who makes Triple H fall onto his outstretched leg. Triple H is bound to go down after that, but
manages to stay on his feet for a staggering 70 seconds before hitting the
mat. I guess Orton’s boot takes a while
to kick in. Finally, we have my favorite
seller, Dolph Ziggler, who can make every move look great. That’s what fans want to see, and while
instances that stray from the mark may be humorous in small quantities, the
real entertainment</span><span style="color: #333333; font-size: 12.0pt; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">—and the ability for audiences to suspend disbelief—comes from
great sells like those of Ziggler.</span></div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/6v-SG8Icslw" width="560"></iframe>
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<a href="https://www.youtube.com/embed/pv3oEWy-28c?rel=0&amp;start=7&amp;end=99&amp;autoplay=0">https://www.youtube.com/embed/pv3oEWy-28c?rel=0&amp;start=7&amp;end=99&amp;autoplay=0</a>Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-86063076915899257322014-12-03T18:59:00.003-04:002014-12-03T18:59:24.009-04:00Video 2 from MarshallThe second video I'm posting is about a new character that the WWE introduced as a Racist Tea Party member. Zeb Coulter and Jack Swagger state what they think is wrong with America. They say that having so many foreigners and other races, other than white, is what is causing the decline of the society in America. Zeb says that he doesn't even recognize America because he looks around and says that all he sees are people with faces different than his and that he can't understand what they're saying because they speak different languages. He also asks the question of how we get rid of these people. While this kind of statement angered lots of people and seemed to cause quite a controversy, all the WWE had to say about it was that they have a long history of having protagonist and antagonist and that these characters were no different. AND the WWE is right. They have always had these type of characters, some that showed even more racism than these two. Does that make it okay or acceptable? No! But as I learn more of the culture of pro wrestling, I am more understanding of it... <br />
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<a href="https://www.youtube.com/watch?v=X6Q7NXFqEp8">https://www.youtube.com/watch?v=X6Q7NXFqEp8</a> Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-85234749801475193462014-12-03T18:51:00.004-04:002014-12-03T19:00:23.277-04:00Video 3 - ethnic stereotyping<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
</w:LatentStyles>
</xml><![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0in;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
</style>
<![endif]-->
<br />
<div class="MsoNormal">
I chose this match between Antonio Rocca and Karl Von Hess
in the 1961 event at Comisky Park in 6/61 as a good example of ethnic
stereotyping, which has long been popular in wrestling. I also chose this video, as compared to other possible videos of ethnic stereotyping, due to the location and this time period in wrestling history. It offers us a glimpse of the past in terms of wrestling text as opposed to what we see today. Rocca has been a fan favorite for some time, while
in the 50s, Von Hess changed his image to a Nazi sympathizer, and was a supreme
heel; fans absolutely hated him. Yet he drew huge crowds until the early 60s
when his Nazi angle wore thin. Politically, the US was more concerned about the
Cold War at this time, which intensified during the 60s. Von Hess, the arch villainous
Nazi heel actually was raised in Omaha and was in the Navy as part of their
underwater demolition team before he entered professional wrestling. </div>
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Rocca’s always gave a great performance using his feet as a
weapon, and in general being very agile in the ring. The fans loved his
showmanship and style of wrestling. On the other hand, Von Hess embodied a
cultural myth taken from post WWII of a Nazi German. Back in those days, a
wrestler did not need a big backstory of his character as he was already culturally
stereotyped, and wrestling had plenty of ethnic stereotyping as early
storylines which can play out in many ways (from our reading of Battema and Sewell.) In this video, you can see him
dressed in a kind of military pants. The announcer says he attended the
German-Prussian Academy at 4:50. This is in the era where there was actually
some wrestling going on, although seemingly boring as compared to the modern
day. </div>
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Incidentally, this match took place AFTER the main event in which Buddy Rogers beat O'Connor for the title, and the announcer mentions that no one left the park. </div>
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https://www.youtube.com/watch?v=4lSGWz5DCao</div>
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If we have time, here is one of the funniest interviews I have seen from the 60s period... not your typical ringside interview. </div>
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https://www.youtube.com/watch?v=Lt-ekYWxJVA</div>
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It starts at about 28 seconds in... </div>
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Garyhttp://www.blogger.com/profile/12968260885055118833noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-33997145247872649592014-12-03T18:46:00.001-04:002014-12-03T19:07:20.484-04:00Video 1 from MarshallAs we all know, Professional Wrestling isn't known for being politically correct. I think that part of their popularity comes from the fact that they aren't worried about being politically correct. It's an interesting phenomenon. My first video is about the homophobia that is displayed within Pro Wrestling. While pro wrestlers are performing very gay actions, they make very homophobic remarks. The video I've posted is literally called "Gay Off." While I don't really take offense to it, a lot of the things they say on the show are very derogatory. As discussed in class, a lot of this is to make sure their fans that they know they aren't gay. I find it interesting that in the video the fans are chanting "You are gay!" It's obviously the reaction that the wrestlers were wanting. I saw that there were some fans that were pushing for a gay character within pro wrestling, other than GoldDust. I don't necessarily see the need for that. The WWE might not benefit from that at all. <br />
<br />
<a href="https://www.youtube.com/watch?v=03hi6b3c52s">https://www.youtube.com/watch?v=03hi6b3c52s</a>Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-63499749084824385132014-12-03T13:35:00.003-04:002014-12-03T13:35:38.535-04:001. <span style="text-indent: 0.5in;">In 2000, there was a storyline
where Mark Henry was in a relationship with Mae Young, who was 77 years old at
the time. Mark ended up getting her pregnant leading to her eventually giving
birth to a hand. Then, in 2012, on RAW’s 1000</span><sup style="text-indent: 0.5in;">th</sup><span style="text-indent: 0.5in;"> episode, Mae Young
shows up with a guy dressed up in a hand costume, claiming to be her son. This
is what the clip below shows. As weird as this clip is, it is a perfect
encapsulation of so many aspects of wrestling. Wrestling pushes boundaries, and
this storyline did just that. Not only were they depicting an interracial
couple, they were creating an overtly sexual couple, and they were depicting a
relationship between a 28/29 year-old and a 77 year-old. (Not to mention, we
had to watch Mae give birth to a bloody hand.) This storyline is also a great
example of the continuity within the story of wrestling. Everything that
happens in the wrestling world must be understood as real within that world. It
is not like cartoons, where there doesn’t seem to be a continuous storyline –
where something could happen in one episode and never be mentioned again in any
other episode. As ridiculous as it was, to have an old storyline resurface
after 12 years is really cool and part of what makes professional wrestling so
unique.</span><br />
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<span style="text-indent: 0.5in;"><br /></span>
<span style="text-indent: 0.5in;">2. </span><span style="text-indent: 0.5in;">The below clip is a match that took place at
Wrestlemania 24 and was a career match between Shawn Michaels and Ric Flair.
The stipulation was that if Ric Flair lost, he would be forced to retire. At
this point, he had been wrestling for around 36 years. A lot of matches, but
particularly </span><i style="text-indent: 0.5in;">this</i><span style="text-indent: 0.5in;"> match, exhibit
wrestling as theatrical, as a play, as suffering, as tragedy. First, this match
is taking place at Wrestlemania, literally called “the grandest stage of them
all.” Everything from the costumes to the lights to the ring itself screams
theatrical. This is a play being performed for an audience.</span><br />
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Besides the setting, we have a
storyline, an emotional context. Flair knows that if he loses, his career is
over. At the time of this match, he was 59 years old. Everyone knew his end was
drawing near, but Flair (obviously) didn’t want to believe it. Which is why
this match is nearly 30 minutes. Ric Flair is giving everything he has with a
death grip on his career. He refuses to give up. The emotion on both the faces
of Michaels and Flair indicate that this is hard for both of them. Flair is a
legend in Michaels’ eyes and he knows that he won’t give up. But he also knows
that it’s time for Flair to retire and the only way for that to happen is if he
delivers “Sweet Chin Music.” You see the Shawn’s hesitation. He lifts up his
foot, getting ready to “strike up the band.” But he lowers it slowly, his face
clearly indicating how upsetting this is for him. Even the crowd knows this is
difficult; they are torn, just like Michaels. Eventually, he comes to terms
with reality and takes Flair out, pinning him and ending his career. Before he
exits the ring, he places a kiss on Flair’s forehead. He doesn’t even stick
around to celebrate his victory. He is emotionally spent.</div>
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This match, to me, is a perfect
example of wrestling as theatre. Flair and Michaels perfectly portray the
emotions they need to in order for the audience to feel the same pain and
suffering they are experiencing. They are both making facial expressions and
exhibiting body language, exaggerating them so that the whole audience can see
– just like in a play. The comedy elements that are present in a lot of matches
are not present in this one. This is tragedy at its peak. This is theatre.</div>
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<span style="text-indent: 0.5in;"><br /></span></div>
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<span style="text-indent: 0.5in;"><b>(Note: The following clip is the whole match. Obviously I'm not going to show all of that in class. Just going to show the entrances and the last bit of the match.)</b></span></div>
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3. <span style="text-indent: 0.5in;">The clip below is the speech given by the
Ultimate Warrior the day after Wrestlemania 30 on Monday Night RAW. This was
also the day before he died. This speech perfectly depicts the immortalization
of wrestlers, elevating them to a status like that of gods. They become
mythological in this way, worshipped by fans. We see this in play when fans
bring signs to the arena that say “Foley is God.” (I mean, we even call Hogan
‘The Immortal Hulk Hogan.’) In this clip, you can see fans in the background
raising their hands in the air, literally worshipping Warrior.</span></div>
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“<span style="background: white;">Every
man's heart one day beats its final beat, his lungs breathe their final breath,
and if what that man did in his life makes the blood pulse through the body of
others and makes them believe deeper in something larger than life, then his
essence, his spirit will be immortalized.”</span></div>
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Not only is it so eerie that he spoke these words a day
before he passed, but with these words he is confirming his spot as a legend.
Everyone listening that night truly saw him as some form of a god. And so when
the news spread Wednesday of his death, no one could believe it.</div>
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Katie Clarkhttp://www.blogger.com/profile/11698892734914903182noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-55854873287776202072014-12-03T13:01:00.000-04:002014-12-03T13:05:41.402-04:00Conflicting Images of Race<br />
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Professional wrestling has frequently used racial or ethnic
characters, either to appeal to a particular local demographics or as a quick
means to create a immediately despised heel (the Foreign Menace as described
William C. Martin's article "Friday Night in the Coliseum").<span style="mso-spacerun: yes;"> </span>In many of these cases the race or ethnicity
of the performer was the extent of the characterization. To paraphrase the
comments of one wrestling insider, ethnic characters did not need a gimmick as
their ethnicity (e.g. African American, Puerto Rican) was their gimmick.<span style="mso-spacerun: yes;"> </span>In other cases, the audience was simply not
aware that the performer’s race or ethnicity diverged from the ethnic
characterization being portrayed. For example, most Native American characters
were not Native American, but Hispanic (see the Youngbloods), Italian-American
(see Jay Strongbow), or even Iraqi (see Billy Whitewolf). Similarly, while an
audience may have suspected that the Soviet wrestlers were not Russian (most
were American or Canadian), in most cases the performers’ physical attributes
and attempts to speak with an accent led plausibility to the characters.</div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-djl6l1tz_vs/VH9ACqvo13I/AAAAAAAAADs/C3xUXsSGFJY/s1600/Stronbow.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-djl6l1tz_vs/VH9ACqvo13I/AAAAAAAAADs/C3xUXsSGFJY/s1600/Stronbow.jpg" height="320" width="212" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chief Jay Strongbow (Italian American)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-rdeFxiHfKLY/VH9AEBOjU9I/AAAAAAAAAD0/mCHIi79c2hU/s1600/Wahoo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-rdeFxiHfKLY/VH9AEBOjU9I/AAAAAAAAAD0/mCHIi79c2hU/s1600/Wahoo.jpg" height="320" width="233" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Wahoo McDaniel (Native American)</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-djl6l1tz_vs/VH9ACqvo13I/AAAAAAAAADs/C3xUXsSGFJY/s1600/Stronbow.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a></div>
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<br /></div>
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This latter case where the ethnic background of the
performer conflicts with the character presented immediately reminded of a Mick
Foley interview from his Cactus Jack ECW days (1995), where he begs Tommy
Dreamer to sign with World Championship Wrestling (WCW) where:</div>
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</div>
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<i>you truly can be anything you wanna
be! I've seen it all a hundred times Tommy. I've seen a tough Jewish kid from
Brooklyn become a black man from Macon! I've seen a farm kid from Nebraska
become an overnight pop star sensation! I've seen a kid from New Hampshire
become a Frenchman. And one particular wrestler who went through 5 different
incarnations before finding himself heavyweight champion of the world.</i></div>
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<br /></div>
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Foley’s first reference—converting a Jewish kid to a black
southerner—references Marc Mero. A golden gloves boxer, Mero was portrayed as a
Little Richard character in WCW and for all intents and purposes portrayed as
an effeminate African American. If memory serves, Mero (in character) was
interviewed by Black Entertainment Television (BET) during his run in the 1990s
in WCW. </div>
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<span style="font-size: small;"><span style="font-family: Arial;"> </span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: Arial; font-size: small;"><a href="https://www.youtube.com/watch?v=rk_P9oAwY-g" target="_blank">Johnny B. Badd's WCW debut (video)</a></span></div>
<br />
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</div>
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Whereas Mero could arguably pass as black (just as Russians and Native American characters could pass), George Gray could not.
George Gray, a white wrestler from South Carolina, spent most of the 1980s as a
mohawked character the One Man Gang. However,<span style="mso-spacerun: yes;">
</span>in 1988, his character in the World Wrestling Federation (WWF) found his
ethnic roots in “deepest darkest Africa” and reemerged as the dashiki wearing,
jive talking Akeem the African Dream. <span style="mso-spacerun: yes;"> </span>Although these cases may be the most extreme
examples in the 1980s and 1990s, other cases emerge of Asian characters
portrayed by non-Asian wrestlers (e.g. Yoshi Kwan, Makhan Singh, <span style="mso-spacerun: yes;"> </span>Kwang).</div>
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<span style="font-size: small;"><br /></span>
<div style="text-align: center;">
<span style="font-size: small;"><a href="https://www.youtube.com/watch?v=TsWTww8E2P4" target="_blank">The One Man Gang Becomes Akeem (video)</a></span> </div>
<br /></div>
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The need to repackage performers who no longer draw an
audience in part explains Foley’s tongue-in-cheek claims of WCW’s magic, but
also perhaps explains the willingness for promoters to consider characters
which conflict with the physical attributes of the performer in the first place.
Wrestling after all creates characters already, so it is not a logical leap
that promoters would use the talent they have to fill such roles, ethnic
characterizations or otherwise. It also speaks to the abilities of the
performers to transition to new characters. <span style="mso-spacerun: yes;"> </span>Such diversity for example would be considered
a strength in other artistic forms (e.g. acting). </div>
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<br /></div>
Timothy S. Richhttp://www.blogger.com/profile/05759704121030358820noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-22827861191622313272014-12-03T12:49:00.001-04:002014-12-03T12:49:34.418-04:00Video 2 - Vince's return<!--[if gte mso 9]><xml>
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The second video I selected is the return of Vince McMahon to
WWF television in 2000 during the Raw is War event. I chose this because it is
in the Attitude Era of WWF, and it clearly shows part of the dysfunctional
family storyline of McMahon (in terms of what led up to this) and the in-ring persona of Mr. McMahon. </div>
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The preceding history of the return is that McMahon and
Triple H were in a deep feud, which reached its zenith when Triple H married
Stephanie McMahon as part of the storyline. McMahon then faced off Triple H at Armageddon in 1999. McMahon lost, and Stephanie turned on her dad, siding with
her husband. McMahon then left and disappeared from WWF TV, as he could not
manage the marriage of Triple H and Stephanie, according to the storyline. </div>
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This video culminates the behind the storyline return of
McMahon and the performance of McMahon as he returns to TV during the Attitude
Era of the WWF. I think it is important as to the era of wrestling then, and
shows the Mr. McMahon character, dysfunctional family scenes, as well as the thinking of the WWF writers then
as to the stunts during McMahon's grand entrance to being back on TV,
and the fans sensational reaction when he deals with Shane (his son) who was the ref. It also reflects how far storylines have come as an
important part of wrestling, compared to the golden age of wrestling. It's payback at its best. </div>
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https://www.youtube.com/watch?v=yGL1ZFVnSEQ Starts at 2:56 </div>
Garyhttp://www.blogger.com/profile/12968260885055118833noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-9288944448028935892014-12-03T10:17:00.001-04:002014-12-03T10:17:35.045-04:00Video 1 - Summerlyn vs Summers<!--[if gte mso 9]><xml>
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One of my videos is about the Rachel Summerlyn match with
Scot Summers. I chose this for a few reasons. First, it demonstrates that there
is life after the WWE world takeover. Rachel is part of the apparently
thriving, yet independent ACW (<a href="http://www.anarchychampionshipwrestling.com/">http://www.anarchychampionshipwrestling.com/</a>)
which is based out of Austin, TX—at least they have bookings through the end of
the year. </div>
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<br /></div>
<div class="MsoNormal">
Secondly, as we all know the heavy sexism involved in
professional wrestling, this clip shows how the female stereotype, where women
cannot wrestle men, and it is a man's wrestling world, is broken. This changes the stigma of women’s professional wrestling.
I parallel this to the Chyna matches of the WWF in 1999 and 2000, where she
kicked butt when wrestling the mem. </div>
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<br /></div>
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This match is a battle of the sexes which starts of slow, stare
downs with no physical contact, but builds to a bloody crescendo at the finish.
When viewing the match, I notice really a subpar performance of the wrestlers,
compared to the WWE wrestlers, which explains why they are in an “Indy” type
environment and have not gone over to the WWE. </div>
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<br /></div>
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Thirdly, what I find really fascinating is the performance
given by the announcers. They more than anything are really at the cutting
edge, shocking in fact. They verbally heighten the stereotyped sexual aspects
and use several of the seven dirty words that you cannot say on TV, including the "F bomb," and this match
was televised. These come at the opening of the clip, and about 8:00 in the
clip, and around 9:00, 12:16 and 14:23. </div>
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<br /></div>
<div class="MsoNormal">
https://www.youtube.com/watch?v=RAZ8wKK8Z-0</div>
Garyhttp://www.blogger.com/profile/12968260885055118833noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-45838508041203428322014-12-03T00:03:00.002-04:002014-12-03T00:03:53.395-04:00I Finished My Interview!!
<br />
<div class="MsoNormal" style="background: white; line-height: normal; margin: 0in 0in 0pt;">
<span style="background: white; color: black; font-size: 12pt; mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-hansi-font-family: Calibri;"><span style="font-family: Calibri;">1. What's
it like being an openly gay man within a predominantly masculine career field?<o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";"><o:p> </o:p></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";">1) To be honest, it didn't really affect me too much. All of
the wrestlers treated me perfectly. I do think they were a little nervous about
me beforehand, having heard that I was gay. And I think for the first year,
they were a little mistrusting of me. Mostly because it IS a locker room
atmosphere (which I assumed before I started working there), and there's a lot
of towel-snapping, and words like "gay" and "fag" and
"cocksucker" thrown around in good jest. But never in the derogatory
angry way. More in the "goofing off with your friends behind closed
doors" way. And when you're on the road, five days a week, it eventually
becomes a like a giant episode of South Park. Everybody is fair game, and you
rag on each other for whatever. Eventually, it would get to the point where a
wrestler would say things like "I don't want to say this line, it's
fuckin' gay!" and then they'd stop, look at me, lower their head all
sheepishly and say "Sorry, Tom". LOL! But I got engaged and married
during my time there, and the wrestlers couldn't have been nicer. A few were
even at my wedding, and had a blast. And eventually, I grew comfortable ragging
on them for being manwhores, recovering drug addicts, spoiled brats, whiny
children, etc. LOL! So it was a two-way street. Which makes it sound terrible,
but it was actually a lot of fun. You eat, sleep and breathe with these people
24 hours a day, 5 days a week. It really becomes like a big dysfunctional
family.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: Calibri;"><span style="background: white; color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">2. What's it like transitioning from a soap opera writer to a
writer in professional wrestling?</span><span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";">2) In terms of the actual layout every week, it wasn't much
of a transition at all. In soaps, you sit in the writers' room for two days as
a team, figure out a week's worth of episodes, then everyone goes home for five
days and writes their episodes. Wrestling, which is also 52 weeks a year of
original programming, like soaps, is similar. Except you're in the office for
two days with everyone, and then you go out on the road,
writing/producing/directing all the shows. So that was the part that was the
big transition for me. I had never directed or produced before. So learning how
to do that for three years was really awesome. It did take me about a year to
feel comfortable though. But that was one of the reasons I took the WWE job. To
try something new and get out of my comfort zone.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: Calibri;"><span style="background: white; color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">3. How did you get into writing for soap operas?</span><span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";">3) I always wanted to write soaps. It seemed the most stable
job in television writing, where you could have a weekly schedule and get a
weekly paycheck, and work all year. I got an internship at Another World in
college in NYC, which then turned into a Production Coordinator job, which then
turned into a Writer's ASsistant Job, which then turned into a writing gig.
Took about three years to climb up that ladder.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="background: white; color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><span style="font-family: Calibri;">4. How did you get into writing for pro wrestling?<o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";">4) WWE found me through a headhunter. They were looking for
soap writers, who understood how to write FAST and on a grind of a schedule,
like they were on. I was looking for a change, as soaps were going off the air
right and left, and I had been doing it for fourteen years. I really wanted to
experience something new, and get my hands dirty again. I was tired of working
from home, and this seemed like a new challenge and a new world to conquer. So
I dove in.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="background: white; color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><span style="font-family: Calibri;">5. What did you enjoy about writing for pro wrestling?<o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: normal; margin: 0in 0in 12pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman";">5) I really loved writing for a live audience. You get
IMMEDIATE fan response to every line of dialogue you write. You know when
something works instantly, and when something bombs. So it's a constant
learning experience. In soaps, you're writing three months ahead. So if
something doesn't work on-screen when it airs, and fans don't like it... oh
well, there are 60 more episodes of it already in the can. But in wrestling, if
something isn't working, you can change it IMMEDIATELY. That's pretty amazing.
Also, I loved traveling, and getting to work with talent, and experiencing
"road life". I also really loved getting to direct and produce for
the first time. Especially for live television. And when something goes
haywire, learning to adapt QUICKLY and not fall apart. I learned how to handle
stressful situations in ways I never did at soaps. <o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0in 0in 8pt;">
<span style="background: white; color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><span style="font-family: Calibri;">6. How many people usually worked with
you while writing a story line?<o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="margin: 0in 0in 8pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 11.5pt; line-height: 107%; mso-fareast-font-family: "Times New Roman";">6) There
are about 15 of us in total on the writing team. A head writer, 4 lead writers
(Raw has a Home Team Lead Writer and a Road Team lead Writer, and SmackDown has
a Home Team Lead Writer and a Road Team Lead Writer). And then about ten of us
who work with different storylines. All the writers contribute to all the
storylines, but they tended to assign us based on our strengths. I usually got
the relationship storylines since I came from soaps. The stand-up comics in the
room got the funny stuff. The hardcore wrestling fan writers would get the
storylines that were all about the Titles, etc. But we were all involved with
all the stories in one way or another.</span><o:p></o:p></div>
Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-77592159981380123672014-12-01T14:33:00.001-04:002014-12-01T14:48:41.698-04:00Foley and the PTC<span style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">As Foley points out, Ganz's Indiana University </span><span style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">study on the WWF does seem quite harsh, and I wish that the methodology had been discussed more thoroughly in the original study. Consequently, I am glad that Mick had the opportunity to shine a light on the more exact criterion that was used to define drug use, sex simulation, violence, etc. in the study. In the epilogue of </span><i style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">Foley is Good</i><span style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">, Mick continues by criticizing the PTC (Parents' Television Council). He makes very solid arguments why the PTC should have attacked some other, more sexual, violent, and risqué show, but I think Mick really gets to the heart of the matter on page 510 of </span><i style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">Foley is Good</i><span style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">.</span><br />
<div style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">
"Why not target <i>Ally McBeal </i>or<i> Buffy the Vampire Slayer </i>or<i> the Drew Carey Show </i>or<i> Will and Grace</i>? I mean, they all made the PTC's top-ten list of 'worst shows,' despite the fact that they are all critically acclaimed. Maybe because if those shows were targeted, the PTC would suffer a media backlash. But what television critic in their right mind is going to come to the defense of <i>Smackdown!</i>, a lowly wrestling show? Answer— none."</div>
<div style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">
While other shows may provide more extreme ammunition to the PTC's argument against television, they chose to target the WWF to save themselves. Wrestling does provide quite the example, though. Instead of only exemplifying one filthy aspect of television, it wraps up the (alleged) sex, drugs, and violence into a perfectly presented example of crudeness (in the eyes of the PTC). Thankfully, the ploys of the PTC failed to annihilate wrestling, and we can still enjoy its vile trashiness.</div>
Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-50814826154683829732014-12-01T03:16:00.000-04:002014-12-01T03:16:18.056-04:00Extra CreditThe Rock is one of my favorite characters in Pro Wrestling, which Foley discusses in "Foley is Good." The Rock was one of the few characters that I knew before I took the class. He, being an actor, is one of the most famous. In all of the wrestling matches that we've seen the Rock partake in he had the same personality. He is humorous, charismatic and strong. It's no wonder that the fans adored him. I'm confused as to why the Rock was ever a heel. He was obviously born to be a face. The Rock n' Sock wrestling matches really don't surprise me with how popular they were. Both characters are ones that could be loved or, really, hated and so all of the fans could pick a side. That's what the fans want is to be able to pick a side and cheer for that wrestler. Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-17278992303533913982014-12-01T00:27:00.000-04:002014-12-01T00:27:06.839-04:00What struck me most about the Jenkins article, "Never Trust a Snake," was one of the quotes cited at the beginning of the piece:<br />
<blockquote class="tr_bq">
"There are people who think that wrestling is an ignoble sport. Wrestling is not a sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of Suffering than a performance of the sorrows of Arnolphe or Andromaque."</blockquote>
<blockquote class="tr_bq">
- Roland Barthes, "The World of Wrestling"</blockquote>
What is so striking is that Barthes is making wrestling comparable to something like Shakespeare. It is a spectacle, a performance, a morality play, yes. But it is also a play of Suffering. In the same way that Shakespeare writes some of the most heartbreaking and tragic stories, so does wrestling. It is a continuous story of the underdog versus the oppressor. And that's why wrestling is so vastly popular, why Shakespeare has remained relevant and transcendent for centuries now. It's the same story, the same tragedy, being told in a ring instead of a stage -- being told with fists instead of sword fights.Katie Clarkhttp://www.blogger.com/profile/11698892734914903182noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-86793338288362467862014-12-01T00:20:00.000-04:002014-12-01T00:20:23.600-04:00Wrestling and DrugsThe chapter of <i>Foley is Good </i>on drug use in the WWE makes an interesting case for the personal responsibility of a wrestler being where the buck stops as far as drug (ab)use is concerned, but I think Mick simplifies things a little. While it is definitely the decision of the wrestler at the end of the day, there are certainly a lot of pressures to perform and be able to stay in the business that aren't addressed. I would consider Mick a special case because of his unusually high pain tolerance and good fortune within his career, whereas the average wrester I would imagine has to deal with great amounts of pain. Contemporary wrestling has done a lot to prevent unnecessary injury or pain, but when one is relying on the performance of their body for their livelihood, it seems to me that anything to keep it in good working order would be appealing. I wouldn't try and point the finger at Vince McMahon as pushing anything on anyone, but the pressure and expectation to perform doesn't have to be articulated.<br />
I was also surprised to see discussions on sleeplessness, depression, and anxiety, but after watching <i>The Mania Behind Wrestlemania </i>it makes a lot of sense. It's easy to forget that wrestlers have personal lives and have to continually juggle their families, their jobs, and their celebrity.<br />
I agree that drugs are a problem for society in general, though it seems that wrestlers have inordinate need and access to them and that's a shame. I can only hope that drug use has dwindled in the years since the writing of the book (excluding RVD), and I would like to think that these days wrestlers don't necessarily need pain pills. Though I enjoy seeing wrestlers beat each other up, I fervently hope that it doesn't hurt them. Sacrificing your body for the enjoyment of the masses is noble in a way, but old age seems hard enough without ruining all the cartilage in your joints.Anonymoushttp://www.blogger.com/profile/11201061972050852563noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-80847597614468473952014-11-30T23:28:00.001-04:002014-11-30T23:28:48.251-04:00Mick's counter studyThough I applaud Mick Foley for taking the initiative to launch his own study in response to the one conducted by Indiana University, I think it has some fundamental issues that would skew the data. Prompted by Indiana University's over-thoroughness when counting instances of inappropriate content, I understand why Mick would think the results of the study were unfair and want to cross-check the findings, but I think he isn't being fair either. He takes too many things for granted, the most glaring being the fact that he didn't watch all the episodes in the sample IU utilized. How can he expect to have accurate numbers from multiplying twenty episodes to equal the content of a year? Within a serial program like Raw or SmackDown!, the storylines are constantly changing, and with them the content. He qualifies that a lot of the content that didn't appear in his study was due to the wrestlers who are the biggest offenders (Undertaker and the occult, Stone Cold and his middle fingers) weren't involved in the episodes he was watching and I think that's unfairly skewing the data regardless of whether he makes note of it or not. There could have been gratuitous "inappropriate" content in some of the episodes that Mick didn't get to, and averaging them all out seems like a pretty basic scientific no-no. While not many people other than wrestling fans will ever read it, the failure to be thorough and impartial hurts his rebuttal. If Indiana University was intentionally nit-picking and over-reporting, then Mick was intentionally under-reporting. One man watching the entire year of programming is way too much of an undertaking and I understand that, but his study just comes off as similarly skewed, and can't be taken as credible. That being said, Indiana University's study definitely illustrates academics going into a study attempting to prove their thesis as opposed to searching for the truth, and using every opportunity to bolster their argument. Also, Mick's comparisons of the inappropriate content of wrestling to other televisions shows and the <i>Home Alone</i> series really make a good point, and I think there's a lot to think about in the way we portray cartoon violence <i>involving children</i> as opposed to giant men in tights. I know the take-away for those films for me was that I can't inflict hilarious pain on any bad guys who wanted to bust into my house, and booby-trapped things for a short time in my youth. The epilogue systematically destroys many of the arguments against wrestling and skillfully undermines the PTC. Mick's humor and intelligence made this book by far the most entertaining one I've read all year.Anonymoushttp://www.blogger.com/profile/11201061972050852563noreply@blogger.com0tag:blogger.com,1999:blog-1546665963755719151.post-65431587375427627472014-11-17T00:26:00.002-04:002014-11-17T00:26:17.727-04:00An Interview with Hillbilly Jim<div style="text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif;"><b>Tuesday, September 9th, 2014.</b><o:p></o:p></span></div>
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<b><span style="font-family: Georgia, Times New Roman, serif;">Interview with Hillbilly Jim.</span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Hillbilly
Jim has so many insights to share, so I just had to allow everyone to be a
listener for our interview (despite the fact that I can't stand the sound of my
own voice). Although listening to Hillbilly Jim is better than reading
his words, if I had to take out his main points, this is what I would come up
with (enjoy!):<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><i>Staying in character inside and outside the ring is obviously
important for fostering the suspension of disbelief for fans. How does
retirement affect kayfabe, and if it doesn’t affect it, how do you feel about
being known as “Hillbilly Jim?”</i></b><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">It wasn’t
really a stretch on me to play [Hillbilly Jim]… I didn’t really have any
dramatic change to go through… Some guys get gimmicks they have to portray that
are pretty extreme, and it’s hard to continue, and a lot of them think that
they have to be in character all the time… With the Hillbilly Jim thing,
it was just a happy-kinda-country-kinda-boy… Now in retirement, most
people call me Hillbilly now anyways… and I don’t mind it at all because a lot
of the guys in the wrestling business pick up little names and tags, and it
follows them throughout their lives, so that’s just part of the business that
continues on with you… [People] identify better with the Hillbilly thing than
they would “Jim…” It’s been an easy transition for me into not being in
the ring…<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><i>How do you imagine retirement would have been if your character
had been a heel?</i></b><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Could
have been different, but it’s not as big a deal in 2014 as it would’ve been in
the 70s or 60s… [things have changed a lot since then...] made our guys
kinda like celebrities, so a lot of the fans moving forward pretty much think
of the people like you would think of an actor… It’s looked upon kinda like
Hollywood… it’s easier nowadays being heels than it was back in those days [the
50s, 60s, 70s]…<o:p></o:p></span></div>
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<b><i> Looking back, we can see that the WWE had several eras; there was
the Golden Age, the New Generation, and the Attitude Era. If you
could put a name to the current era, what would you call it? </i></b><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I’d say
this era here is the Transition Era… I’ve noticed that it has a cycle up in
peaks and valleys... there are times when it flattens out and becomes a little
bit stale, and a little bit stagnant, if you will, then there are times when it
just takes off again. I think now this era now is a transition era
because you don’t hear people talking about wrestling as they did. There
was a time when that’s all people talked about…. There are so many things to
distract people now, and so many areas that entertainment is provided... right
now I think the wrestling business is kinda down now… a little bit of a lull…
It’s not nearly as hot as it was when I was there… We’ve broken it down
so that there’s only one or two companies in the entire country that people watch…
A lot of smaller companies folded, and that was great for us... but for future
wrestlers, it depleted the business, because there’s no spawning ground… the
talent they send up there is not really proven talent that you see at the WWE
now because these guys haven’t had years to get better… You don't really learn
about the wrestling business until you've wrestled in front of a group of
people... Guys that got over in the 80s were woven into the fabric of
society... a lot of these kids coming up now, people don't even remember who
they were now... Right now, it's a little bit down, but eventually, there
will be something that will bring the people back in again.<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">(<i>Tangent</i>)
In my day, the interview was a big part of what put butts in the seats... we knew
how to handle the mic... kids nowadays, it's disconnected now... they have the
unheard of-- <i>writers</i>... it's changed a lot... That's why the
Rock was so good... his wrestling was okay, but his promos is really what
people came to see... We laid the foundation for these guys to do what they're
doing now, and I'm glad for it... Back in my day, it was good vs. evil,
but now it's all just kinda gray... There was just something about those
guys in the 80s that just got us remembered through all of time... I think
wrestling is still good, they put on a good show... it's just very different
now.<o:p></o:p></span></div>
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<b>From what I’ve seen and heard, wrestling storylines tend to be reflections
of real world issues. For example, post-WWII many heels were considered
heels simply because they were playing a German character. Would you
agree with that? If so, what major cultural themes can you see from the
years that you wrestled with WWE?</b></i><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">The Iron
Sheik and Nikolai Volkov in my day were very hated because there was always
something going on with Iran and Russia. Obviously, they're going to get
heat... They're always going to try to find somebody that's a part of a
controversy.... nowadays they're trying to find people to make a heel of...
it's better if there's something that everybody can get behind... Nowadays,
you can’t tell who’s who now, and once the match begins, sometimes they all
start doing the same thing and moves. In my day I only had certain moves
that Hillbilly Jim would do in the ring, that were my own thing that a country
boy would do. It wouldn’t make sense for a guy named “Hillbilly Jim” to
get in there and start flying around like Rey Mysterio… Now when a match
begins, they all start doing the same moves and you can’t tell who’s who…
When you have things that you do, you're able to keep people
interested... People can figure out the storylines so quick now.
Used to be, they would cook it... A WWE show now, they'll start a
storyline at the beginning of a show, then by the end 2 hours later, they've already
resolved it. It's too quick. They need to cook it a little while.
If you cook anything, it will become hotter...<i><o:p></o:p></i></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><br />
<b>Every week during RAW, some WWE hashtag will trend on Twitter. Fans
utilize social media to voice their opinions in the hopes of influencing the
action. Do you think the WWE shows produced each week have been made more
interactive through social media, or is it just an illusion of control— a
way for fans to feel heard?</b></i><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I'm not
really the guy to talk to about that, I have a website-- Hillbillyjim.com-- but
I don't even have a computer. If I get an email, I have somebody call and
deliver it by phone... I wouldn't even have a cell phone if somebody hadn't
given it to me... I don't really understand what they're doing, but
obviously it must not be working if it's supposed to be so much better, but
things are so much worse...<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I talked
to a class at Western Kentucky University a few years ago, and I told them
"Listen, friends, we live in the greatest time ever for technology, but
you've got to remember this: technology is here to help your life, not <i>be</i> your
life..." If you use this stuff properly, it'll be fantastic.
You have more information available to you than ever in your life.
But it's not here to be your life, it's here to help your life... They
have really pulled out all the stops at on this technology thing at the WWE.
I think it's helped in some ways, in other ways it hasn't proven
anything... I can't make it stop, so it's gonna be what it's gonna be...<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I've had
friends say to me, "Jim if you had email, we could every day."
To which I said to them, "brother, I don’t want to talk to you every
day!" Why would you want to talk to me every day? It's better
when you give me a few days, I might have something to say!... People have
abused technology... it's good if you use it right, but you can't just be a
vegetable... it's so sad in restaurants when a family, instead of talking
to each other, everybody's looking at their hand... I'm not saying
technology is bad, I'm just saying it's abused, and I think the WWE has abused
it a little bit... Going to the WWE now is just a totally different
universe... It was as good as it ever was in my day, and I'm happy to
have been there...<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><br />
<b>I heard that you started a radio show on Sirius Radio...</b></i><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I've been
doing that for about 9 years now. It's called Hillbilly Jim's Moonshine
Matinee, it's an outlaw country show-- they wouldn't let me do nothin' cool,
you know a hillbilly would have to do some kind of a country show... It
comes on on Saturday mornings at 9 AM, it's a four hour show, stays on until 1
o'clock central time, it's on Outlaw Country 60. And then the show comes
on again on Sunday from 1 until 5 standard time... I've had a whole lot of
great guests to come on over the years... I talk about my world-- wrestling
fans and the world from which I come-- but I also play lots of music... it's a
real good fit for me, and I can't believe I'm looking down the road at ten
years doing it... it's keeps me from being bored-- not that I'd ever be
bored, I always have something to do-- but it's kinda fun... I have
wrestling buddies on from time to time, and we talk... Sirius radio is pretty
neat because you can listen to it all across the country.<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><i>That's all the formal questions that I have; is there anything
else that you'd like to add?</i></b><o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I am very
surprised and honored that they would even have a class at WKU about this
business that I was in, and it just shows you what an impact that we made, and
I feel very honored and fortunate to be one of those guys that they kinda
remembered... it just blows my mind that you would be involved in a class about
the world of professional wrestling, and the history of it. It's pretty
cool.<o:p></o:p></span></div>
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Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com2tag:blogger.com,1999:blog-1546665963755719151.post-82312908869379138532014-11-12T14:13:00.003-04:002014-11-12T14:13:36.123-04:00Trujillo and his co-researcher's piece, "A Night with The Narcissist and the Nasty Boys: Interpreting the World Wrestling Federation," was incredibly fascinating. Not only because there were multiple researchers, each one giving their own unique point of view, but also because of the ideas they developed. I continue to be intrigued by the amount of people who think that wrestling fans are all uneducated and lower class, particularly fitting this "white trash" persona. While I am lower class (starving college student life, hey!), I am not uneducated. Not to toot my own horn, but I'm pretty intelligent. And I think a lot of wrestling fans are. Atticus has introduced me to many other fellow wrestling fans and they're all quite intelligent. (I follow some of their blogs and keep up with them on Facebook and they all tend to be really amazing writers.) And looking at many wrestling fan sites and forums, there are a lot of creative people who are amazing writers and give very intellectual critiques of the shows. Now, I'm not saying that there are no wrestling fans that are a bit on the...uneducated/bigoted/offensive side (because there definitely are), but I think people tend to overlook the fact that there is a lot of intelligent discussion to be had in regards to the wrestling universe. And I think, in their piece, the researchers all came to understand that in the end.Katie Clarkhttp://www.blogger.com/profile/11698892734914903182noreply@blogger.com1tag:blogger.com,1999:blog-1546665963755719151.post-41717754805211330632014-11-12T03:06:00.001-04:002014-11-12T03:06:40.430-04:00Homage to Sam<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
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Since this is our last blog, how could I not pay homage to
our professor by mentioning his own in-depth ethnographical work, <i style="mso-bidi-font-style: normal;">Pinning Down Fan Involvement: An Examination
of the Multiple Modes of Engagement for Professional Wrestling Fans.</i> You
fill the exact niche in the void of scholarly work of fan involvement, that is
to say, looking at fan engagement through the eyes of the fans. </div>
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I have not seen a body of work like this previously. You
were able to identify five ways in which fans interact with pro wrestling, as
spectators, critics, performers, community members, and theorists. To my
knowledge, no one has ever done this before. Your work brings a unique clarity
of the “fan culture/group,” thereby labeling five subgroups. I enjoyed the
demographic breakdown you presented also, such as the amount of factory
workers, skilled or retail, students, housewives, etc. </div>
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What I found really interesting (and humorous by way of actual fan responses) was your
observations and conclusions of the five types: Fans as Spectators—your basic passive
fan who comes to the show to be surprised. Fans as critics—fans who need a
little more than the spectator fan, wants a performance to be executed well and
focuses on the artistry of the performance. Fans as Performers—a more active and
vocal process of engagement with the wrestlers, a vital part in wrestling
culture. Fans as Community—fans who come for the social interaction with other
fans as they have gathered at events over a period of time. While this type of
fan still exists, I believe the “Community Fan” was far more in existence pre-McMahon,
when wrestling was still not only regional, but local. This local level
provided the true Community Fan in abundance. I loved your phenomenon of “fan
of fans,” that particular sub, sub group where fans would come to watch how
other active fans would behave as things unfolded. This group reminds me of
Hatpin Mary and her fan following in the old days. Fans as Theorists—fans who
explain why they or other fans engage the way they do, mainly by social or
psychological reasons. Of course, this is for the benefit of those who do not
know it is fake. </div>
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All in all, this is really a great piece of work, and *really*
explains the fan base as it should heretofore have been explored, through the
fans themselves. </div>
Garyhttp://www.blogger.com/profile/12968260885055118833noreply@blogger.com1tag:blogger.com,1999:blog-1546665963755719151.post-9196079237799675892014-11-12T01:45:00.001-04:002014-11-12T01:50:27.610-04:00Playing the "Fan" Role<span style="-webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; text-decoration: -webkit-letterpress;">I really enjoyed reading Sam's piece on the fans of wrestling (if I say it was my favorite, will I get extra credit?). In the "Fans as Community" section,</span><br />
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I found it amusing that many of the fans felt that they needed to play their role in the performance for the benefit of those "true believers" in the audience, especially when all who were interviewed believed the show was not a true sporting event. I suppose, though, that if there were smaller children in the audience, the argument could be more valid because children are more likely to believe what they see is real, or at least seem to need protection for their beliefs (like how parents seem to perpetuate the existence of Santa Claus for their kids, even after the kids probably realize that a jolly fan man doesn't sneak into their homes every year to deliver presents). After all, all the participants in the survey were over the age of eighteen.</div>
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<br /></div>
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I wish that the author (heh) had gone into more detail about what happens when the fans don't cooperate. This is a pretty good <a href="http://articles.baltimoresun.com/2013-04-09/sports/bal-boisterous-creative-fans-highlight-first-wwe-raw-after-wrestlemania-20130409_1_dolph-ziggler-john-cena-wwe-raw">article</a> about what happened the Monday night after Wrestlemania on April 9th, 2013... Granted, that show hadn't happened yet when Sam Ford did his study in 2007. I would be interested to see a "second edition" of sorts emerge from this preexisting research to incorporate more of what can go wrong when fans go off script.</div>
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Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com2tag:blogger.com,1999:blog-1546665963755719151.post-22919978084543312462014-11-11T22:22:00.000-04:002014-11-11T22:22:06.324-04:00Wrestling Fans and IntelligenceIn reading "Pinning Down Fan Involvement: <span style="font-size: 12pt;">An Examination of the Multiple Modes of Engagement for Professional Wrestling Fans," I was really surprised at the difference between fan representation in the article as compared to the fan representation in <i>Wrestling with Manhood</i> and <i>Wrestling with Shadows</i>. Obviously there was some bias in the depiction of the fans in the documentaries, because they were both using fans to further the agenda of the documentary (fans as anti-Canadian and fans as bullying, base devil-spawn), but I really expected there to be at least one or two total dullards picked out of the crowd. While it was interesting that all fans perceived at least <i>some</i> of the other fans as thinking wrestling was a shoot, none of them had any illusions of it themselves. They also are able to engage with the wrestling text on several different levels, four out of the five pretty cerebral.</span><br />
<span style="font-size: small;">Most importantly, in the continuing to tie what we're reading into the problems with wrestling we've been grappling (wrestling humor) with over the past few weeks, none of the wrestling fans interviewed responded that they enjoyed professional wrestling because of the promotion of bullying, misogyny, bigotry, or violence (outside of a cathartic sense). They frequently referred to it as theater or feats of athleticism, and these responses really speak to the shortcomings of the writers who are analyzing wrestling without taking into </span>account<span style="font-size: small;"> the sensibilities of the fan. I was pretty convinced that despite all the wrestling fans I know being pretty intelligent people, the average fan would be a few wrestlers short of a royal rumble, if you know what I mean. However, this study points towards a more intelligent and discerning "average" wrestling fan. At the same time, I think it may be the norm to assume that the fans around you are less intelligent, as evidenced by many participants in the survey saying they participate in the action so that the audience members that do believe wrestling is real will persist in this illusion. One respondent likened it to Santa Claus, likening wrestling fans to the mental status of children, believing in the fantastic despite common sense.</span><br />
If the fans have such a low opinion of each other, it's small wonder that non-fans are so quick to question the intelligence of a wrestling enthusiast. Despite the prevalence of wrestling culture for decades, despite the blatant absurdities of the attitude era, despite Vince McMahon testifying in court that wrestling was a work, fans are still asked if they believe wrestling is real. How is this the case? Is the belief held by non-wrestling fans that fans think wrestling is real, and the subsequent shaming of fans by non-fans and accompanied guilt, perpetuated by those fans who justify their fandom to the effect of "Well, most fans think it's real, but I know it's fake."? As someone who has had to answer this question of their friends, roommates, and even parents, it needs to be established somehow that everyone who has ever heard of professional wrestling knows it is written and choreographed, regardless of interest. It would let the air out of a lot of the arguments presented against professional wrestling as a corruptive influence, help dispel the stereotype that wrestling fans are of an intelligence level that necessitates censorship, and help non-fans to look past the "well it's fake" excuse for not giving it a proper chance. It's 2014; vaccinations are not bad for you, eating before you swim won't give you cramps, wrestling is predetermined. And it rules.<br />
<br />Anonymoushttp://www.blogger.com/profile/11201061972050852563noreply@blogger.com1tag:blogger.com,1999:blog-1546665963755719151.post-53236237664240594562014-11-11T17:47:00.000-04:002014-11-11T17:47:23.633-04:00Last Blog PostThroughout this semester, we have discussed a variety of topics about Professional Wrestling. Almost all of these things were brand new to me. One key aspect that we discussed throughout the entire semester was the role of the fan. In any type of show, the plan pays an important part. Loyal fans who consistently watch the show is what enables the show to continue. That's no different in wrestling. However, in wrestling the fan plays an even bigger role. They are part of the show. As Sam Ford points out in "Pinning Down Fan Involvement," fans are able to interact with the wrestlers and to become part of the show. We discussed several scenarios within the semester about certain fans who become a big part of the show. One that I can always remember is "Hat Pin Marry." Ford points out that many fans see wrestling as an off stage soap opera. This thoroughly surprised me because I couldn't believe that loyal wrestling fans would compare their sport to a soap opera. However, the comparison is very accurate. Both are scripted and dramatic. <br />
<br />
I must say that I was confused about how fan engagement worked. It didn't really make sense to me how fans could be apart of the show. That confusion ended when we took our field trip to a WWE match. During the match, there were specific chants that the fans just knew and yelled. It made the whole dynamic of the arena so much more exciting. And the wrestlers reacted to the chants. Unlike other sports, they interact with the fans. While I never shouted out, it was really interesting to see how the major wrestling fans (even my classmates) acted within the arena. Anonymoushttp://www.blogger.com/profile/03395957719046655355noreply@blogger.com1tag:blogger.com,1999:blog-1546665963755719151.post-63629353524873972722014-11-10T13:46:00.004-04:002014-11-10T13:46:55.062-04:00Reading through <i>Wrestling with Theory, Grappling with Politics </i>by Henry Jenkins III, I was struck by the part (referring to Mazer's essay): "...these fans, who come to ringside in costume, mimic the catchphrases, waving signs they hope will get camera, might see themselves as part of the performance, enacting spoofing, taking pleasure in the imaginary roles and fantasy values on offer" (300). For a while now, I've tried to decipher what it is exactly that attracts me so strongly to wrestling, particularly live events. There is a certain high obtained from watching a pro wrestling event live and in-person. It is a very different sensation than going to a play or going to a concert, both very fun events in themselves. But wrestling is different. And for a while, I just chalked it up to the fact that I'm seeing these celebrities in person, I see the things that happen during commercial breaks, I'm bonding with fellow fans. But I knew it was more than that. It had to be. I mean, I see plays and concerts and don't get nearly the rush I do at a wrestling show. And it's for this exact reason--I feel a part of the performance. I don't feel like a spectator. I feel like another character in this grand spectacle. As I've stated in an early blog post, I can shout at a play and that will have no effect on the plot. But if I shout at a wrestling match, I matter. My words are acknowledged. When the crowd is chanting and cheering for a specific wrestler loud enough, and for long enough, eventually that wrestler will be pushed.<br />
<br />
It's also interesting to note that Jenkins critiques Jhally and Katz for not recognizing this. I hated that they made some legitimate points because they made me feel like I shouldn't like wrestling, that I shouldn't support it. But reading Jenkins' critique of <i>their </i>critique, it's clear that they don't understand the population they're trying to critique. It's impossible to evaluate wrestling culture through the lens of mainstream culture because it is simply <i>not </i>mainstream culture. We must acknowledge the application of cultural relativism if we are to study wrestling. Does the wrestling subculture say something about the greater culture it exists within? Yes. But we must look at wrestling through the eyes of a wrestling fan if we are ever to attempt to truly understand it.Katie Clarkhttp://www.blogger.com/profile/11698892734914903182noreply@blogger.com1tag:blogger.com,1999:blog-1546665963755719151.post-73917374394085113032014-11-10T12:05:00.001-04:002014-11-10T12:05:51.518-04:00Outside the Demographic<span style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;">I really enjoyed "Growing up and Growing More Risqué by Henry Jenkins IV in </span><i style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;">Steel Chair to the Head </i><span style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;">this weekend. It proposed the very interesting concept that the WWF "grew up" alongside its once young Hulkamaniacs. I think Jenkins is completely right in his assessment, but I question the business side of Vince's methods.</span><div style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;"><br></div><div style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;">Is that really a sustainable business model? If wrestling only catered to a single generation, "growing up" with the fans, the WWF would be out of a program within a single lifetime. I guess wrestling could evolve into a cyclic existence: kids' program to teenage risqué to grownup entertainment to elderly programming (which is almost back to kids' tv), and repeat. Even then, though, wouldn't following a generation of people throughout their lives financially exhaust their wrestling budget? There are only so many wrestling shirts you can buy, after all (though I have friends who would beg to differ), and an individual is only going to make a single subscription to the network of $9.99/month. Wouldn't it be more financially prudent to try to program either for multiple age groups simultaneously or to focus on an age group with a constant influx of new faces? If you watched wrestling as a kid, you might want your kids to watch it too (but not if you watched in the 50s-60s, and you're letting your kids watch in the 90s... And if you were a fan in the 90s, you shouldn't want your kids to watch that...). What about [potential] fans of the same generation who were just a few years outside Vince's intended audience (e.g. the little brother of the teenaged fan)? Arguably, we (meaning me... Born in the 90s) missed Vince's interest group. The Attitude Era of wrestling didn't align with our teenage years, and the focus now seems to be mostly to a younger or older people group (the Family Model). We shouldn't like wrestling; it hasn't been catered to us. Maybe that means that Vince's model is not as flawed as I think, or maybe it means that The WWE is moving away from such a focused demographic. Either way, the product has somehow captured our attention, and we continue to feed the business with our T-shirt obsessions. And fake championship belts. Those are cool.</div><div style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;"><br></div>Anonymoushttp://www.blogger.com/profile/05347940786457522285noreply@blogger.com1